Synopsis

The film will start with a black screen. All we can hear are the chimes of big ben, fireworks and cheering. Some golden dust drift across the screen lighting up the credits as it drifts. Fading in from black we see a shot of the night sky, the camera pans down across a digitalized big ben with large red digits spelling out “Jan 1^st 3012 00:00”. The camera pans past fireworks and balloons. Next is a close up shot of a teenager reaching into his pocket and pulling out a party popper. In slow motion he pulls the party popper and we see the ribbons blow away in the wind, the music softens and we hear the sound of a heartbeat. The sound restores to normal and the attention of the teenager we meet (Josh) is being summoned by his best friend (Chris). They discuss Rachel’s party and leave the site.

The music and fireworks can still be heard faintly but the sound is dominated by Josh and Chris chatting, as they turn into an alley a man is thrown out of a door with a bottle of alcohol, he is pushed out the door and straight into Josh. Josh and the man both fall over and as Josh checks if the man is ok the man swings his bottle at Josh nearly hitting him. Josh throws himself back and as the man throws the bottle at Josh, Josh raises his hand and sends the bottle back the other way. The bottle smashes next to the man who runs off in horror. Josh looks down at his hands. There is complete silence until Chris Says “…dude…”

Storyboard pictures.

Golden Compass opening analysis:

The film starts with golden dust lightly drifting across a black screen over the golden words ‘new line cinema presents’ the font is a smart old looking font to show the old fashioned era that the film is set in. The golden dust continues to drift across the screen as different credits fade in and out. Eventually the words ‘the golden compass’ in that same old fashioned font, begin to form out of the golden dust. Golden particles fill the screen and fade into a shot of the universe. As the galaxies drift into shot, the scene fades into a shot of Oxford University, England. Its night and the campus buildings on both sides of the street are lit by a golden glow bringing more attention to the golden lights that frequently feature in the film.  The camera pans down the street to a rip in the fabric of the universe. The camera looks through the transparent rip and we see a glimpse of an identical universe except that there is much more saturation and more of the golden glow. The camera pans around to show that the buildings are Oxford University.  A low angle shot of a man with a snow leopard coming up from one street and stopping at the corner where a street from the left meets a street going upwards. There’s a close up of the man’s face as he smiles. The background is blurred so all our focus is on the man’s face, showing us he’s a main character because he is the first real person we see in the film. He turns to the left as he immediately fades out and is replaced with a burst of golden dust that takes over the screen. The dust forms into images that to go with the narrative. Each image appears out of the dust and disintegrates back into the dust one after the other. No two images appear at the same time.  The dust eventually forms into a golden compass except for the multiple images that go around the edge of the compass. A close up shows a needle of the compass settling on one of the images (a snake) then moving to another (out of shot). The compass appears to be operated by the golden particles. And extreme close up shows us one of the images in great detail (a young woman). The compass fades out and out of the Dust we see a large old fashioned Edwardian style building. The compass fades back in rotating around the image of a baby.

Soundless animatic

my trailer for A-level media studies.

Gladiator analysis

Cinematography	Mise en scene	sound
Close up hand so we can clearly see its actions	There is a ring on the hand which is effortlessly playing with the grass as it walks past. Optimistic high saturated colours.	Wind instrument high pitched, violin, Tuba – Tense Minor key. Tuba is the drone. Nylon guitar transition.
Close up face look up to see his sullen expression	The colour goes a shade of blue which suggests negativity; the watcher feels a sense of sadness as the man’s face looks sadly up.	Flute, nylon stringed guitar and voice creates a calm sense and a didgeridoo enters as a drone for dramatic effect. Minor.
Establishing shot. Deep focus. It shows us quite clearly that tied to the horse is a headless man.	Colour remains blue and negative	Guitar is replaced with steel stringed guitar for more dramatic effect. Flute, voice, violin, bassoon, oboe, cello and chamber creates exciting and engaging music in a major sequence.

Opening Credits - analysis.

Benjy Cohen

Opening Credits

Opening sequences are there to bring you into the world of the film. The credits are there so you can see the main people of the film (billings: the top names).

The conversation: 1 shot. 1970’s Paramount pictures. Colour by Technicolor.

Once upon a time in the west: Dark. Diegetic sounds, slow camera pan up. Men at different doors of a railway station. Who are they? Terrorising an old train ticket inspector. Dramatic then it goes slow paced. Paramount Pictures.

Clerks: Black and white low quality hard to see. Guy in a bed talking.

The Notebook: Opening scene there is a river and a sunrise. Birds flying and there’s a girl looking through the window.

People watch films because of escapism and to get away from their everyday life.